| Abstract | In Portugal, the development of a memorial project commemorating the First World War, from the treatment of physical bodies to their more or less symbolic (or more or less doctrinal) representations, did not achieve its intended results, in the sense that it did not succeed in consecrating Portugal as a participant of recognized standing and a victorious Allied nation. The memory of the war was clearly shaped by a dimension of tragedy and not by victory. This article will provide, via the dialectics between official and public memory, an in-depth analysis of the politics of memory as it manifests in official commemorative projects. It will examine the forms, pace of implantation and rituals carried out to renew the meaning of memory, as well as the underlying play of forces it is subject to, along with the way in which it establishes cultural and even political rupture or continuity. Through the observation of elements that constitute a war culture - images, language and practices - which emerged during and after the conflict, this study seeks to clarify the First Republic's successes and failures in delineating and consolidating an official memory of the First World War in Portugal.
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