Introduction -- 1 Negative Subjects -- 2 Aesthetic Convolutions -- 3 Choreography of the Unspeakable and the Urban Guerrilla Posture -- 4 From Consensus to Dissensus - Gerhard Richter's Painterly Utterance -- 5 Coda Regarding an Accusation of Love: The RAF Exhibition -- 6 Unruly Memory and the Spectre of Monument -- Conclusion.
|