| Abstract | This essay follows from an historical study of Heron Island (Baie des Chaleurs), and in particular, the relationship between the island and the members, past and present, of the Eel River Bar Band, from the reserve of the same name. It aims to explore elements brought to light through my observation of members of the band, and notably the processes by which the latter strive to fashion a renewed connection with Heron Island; that is, to Self and to the world. Purposefully multidisciplinary, this study focuses on the representation/construction of space and on the manner in which it acts upon its derivatives in the form of collective memory and identity. Situated at the intersection of the symbolic and realms, this essay endeavours to shed light on the formation of the narratives that, in this instance, constitute the production (mise en scène) of a perspective space of symbolization and social objectification—a process articulated on the enunciation of goals related to socio-economic development and autonomy. At the same time, it is an attempt to account for a number of correlates to discourse, particularly practices related to social reconfiguration and the exercise of power, in a context marked by a quest for self-determination and revitalism. In short, it is an examination of a case of resistances and accommodation by a small indigenous group seeking a new world-vision. (English)
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