| Abstract | This article explores how a city remembered a national event that took place before its own existence. To this end, two public works of art in the city of Chicago that have American Revolutionary War participants as their subjects are examined. Particular attention is paid to the historical context surrounding Revolutionary War-themed public art in Chicago as well as to the two men who were responsible for erecting the sculptures – Robert R. McCormick and Barnet Hodes. McCormick, the publisher of the Chicago Daily Tribune, chose to immortalize the doomed Revolutionary spy, Nathan Hale, while Hodes, an attorney for the city of Chicago, centered his attention on a monument that included representations of General George Washington and immigrant financiers Robert Morris and Haym Salomon. By doing so, this article considers what motivated Chicagoans during the 1930s and 1940s to remember the American Revolutionary War. The general consensus that surrounded these acts of remembrance suggests the limitations of otherwise useful and important approaches that focus on conflict and healing in public memory formation.
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