| Abstract | Recent unrest and the 2014 elections have corroborated the impression of Bosnia as a failing state, one that is constantly being undermined by the three-way impasse between constituent ethnic groups of Bosniaks, Croats, and Serbs. Major history museums in Bosnia, however, provide a more complex picture. This paper analyzes museums and exhibitions on twentieth-century history in Sarajevo, Banja Luka, and Jajce, with regard to their narrative strategies, their aesthetic appearance, and the commemorative practices in their respective locations. From this perspective, the use of history in building group identity in Bosnia is far from coherent. Although museums are one means to assert firmly entrenched national identities both old and new, they compete at the same time with nostalgic commemorations of socialist Yugoslavia and with equally nostalgic references to the Austrian occupation. Various civic groups struggle to assert their visions of belonging, mostly with rather modest financial means. Based on these findings, this paper will explore not only the underlying assumptions of what history and, in particular, museums are all about, but also how visions of the future of Bosnia and Herzegovina are inscribed in these uses of history – if indeed they are.
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