| Abstract | This article takes a closer look at the master narratives of the Chilean truth commissions and how these are contested and negotiated by social actors demanding truth and justice. Over time these actors have created new spaces for their narratives about the military dictatorship (1973–1990), broadening the perspectives on the past in the public space. The process of contestation and negotiation can be traced on the local level in the creation of a memorial site on the grounds of a former detention and torture centre, Villa Grimaldi, which led to fierce debates on what should be remembered, and how. Through the ongoing process of negotiation and contestation and social action the collective memory of the dictatorship in Chilean society has become ‘thicker’.
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