‘We Listen for What the Waves Intone’: Intertextuality and the Circum-Atlantic Poetics of Seamus Heaney, Natasha Trethewey and Kwame Dawes Alison1 Garden. 2016. ‘We Listen for What the Waves Intone’: Intertextuality and the Circum-Atlantic Poetics of Seamus Heaney, Natasha Trethewey and Kwame Dawes. Comparative American Studies. 14(2):91-108.
‘We Listen for What the Waves Intone’: Intertextuality and the Circum-Atlantic Poetics of Seamus Heaney, Natasha Trethewey and Kwame Dawes Alison1 Garden. 2016. ‘We Listen for What the Waves Intone’: Intertextuality and the Circum-Atlantic Poetics of Seamus Heaney, Natasha Trethewey and Kwame Dawes. Comparative American Studies. 14(2):91-108.
Myth, History, and Witnessing in Marceline Desbordes-Valmore's Caribbean Poetics Deborah Jenson. 2007. Myth, History, and Witnessing in Marceline Desbordes-Valmore's Caribbean Poetics. L'Esprit Créateur. 47(4):81-92.
'Part of the blood and dream': surrogation, memory and the National Hero in the postcolonial Caribbean David Lambert. 2007. 'Part of the blood and dream': surrogation, memory and the National Hero in the postcolonial Caribbean. Patterns of Prejudice. 41(3/4):345-371.
