‘The greatest loss was a loss of our history’: natural disasters, marginalised identities and sites of memory Scott McKinnon, Andrew Gorman-Murray, Dale Dominey-Howes. 2016. ‘The greatest loss was a loss of our history’: natural disasters, marginalised identities and sites of memory. Social & Cultural Geography. 17(8):1120-1139.
Framing Public Memory Charles E. Morris III, Kendall R. Phillips, Kendall R. Phillips, Barbie Zelizer, Barbara Biesecker, Stephen Howard Browne. 2004. Framing Public Memory.
In digital remembrance: vernacular memory and the rhetorical construction of web memorials Aaron Hess. 2007. In digital remembrance: vernacular memory and the rhetorical construction of web memorials. Media, Culture & Society. 29(5):812-830.
The place of trauma: Memory, hauntings, and the temporality of ruins Dylan Trigg. 2009. The place of trauma: Memory, hauntings, and the temporality of ruins. Memory Studies. 2(1):87-101.
A monument to dismantlement Christos Varvantakis. 2009. A monument to dismantlement. Memory Studies. 2(1):27-38.
The appearing memory: Gilles Deleuze and Andrey Tarkovsky on `crystal-image' Alexander Kozin. 2009. The appearing memory: Gilles Deleuze and Andrey Tarkovsky on `crystal-image'. Memory Studies. 2(1):103-117.
Monuments, mundanity and memory: Altering ‘place’ and ‘space’ at the National War Memorial (Canada) Piotr M. Szpunar. 2010. Monuments, mundanity and memory: Altering ‘place’ and ‘space’ at the National War Memorial (Canada). Memory Studies. 3(4):379-394.
‘The greatest loss was a loss of our history’: natural disasters, marginalised identities and sites of memory Scott McKinnon, Andrew Gorman-Murray, Dale Dominey-Howes. 2016. ‘The greatest loss was a loss of our history’: natural disasters, marginalised identities and sites of memory. Social & Cultural Geography. 17(8):1120-1139.
Traces of humanity: Echoes of social and cultural experience in physical objects and digital surrogates in the University of Victoria Libraries R.( 1) Gordon Lanning, J.b.( 2) Bengtson. 2016. Traces of humanity: Echoes of social and cultural experience in physical objects and digital surrogates in the University of Victoria Libraries. Cogent Arts and Humanities. 3(1):19p..
