Stranded Objects: Mourning, Memory, and Film in Postwar Germany Eric L Santner. 1990. Stranded Objects: Mourning, Memory, and Film in Postwar Germany. :200.
Post-Traumatic Culture: Injury and Interpretation in the Nineties Kirby Farrell. 1998. Post-Traumatic Culture: Injury and Interpretation in the Nineties. :420.
The Portuguese Cinema, Trans-temporality and the Myth Sara Castelo Branco. 2016. The Portuguese Cinema, Trans-temporality and the Myth. Aniki: Revista Portuguesa da Imagem em Movimento, Vol 3, Iss 1, Pp 64-83 (2016). (1):64.
Franco's crypt: Spanish culture and memory since 1936 Jeremy Treglown. 2013. Franco's crypt: Spanish culture and memory since 1936.
Photographical History, Everyday Life, and Memory: Wang Anyi as a Storyteller Ban Wang. 2012. Photographical History, Everyday Life, and Memory: Wang Anyi as a Storyteller. Journal of Historical Sociology. 25(2):183–198.
Between Silence and License: The Representation of the National Socialist Persecution of Homosexuality in Anglo-American Fiction and Film Dorthe Seifert. 2003. Between Silence and License: The Representation of the National Socialist Persecution of Homosexuality in Anglo-American Fiction and Film. History and Memory. 15(2):94-129.
The Mitlaufer in Two German Postwar Films: Representation and Critical Reception Ulrike Weckel. 2003. The Mitlaufer in Two German Postwar Films: Representation and Critical Reception. History and Memory. 15(2):64-93.
Scripting for Hollywood: Power, Performance and the Heroic Imagination in Abu Hanna's "Real Arabian Nights" Tania Forte. 2006. Scripting for Hollywood: Power, Performance and the Heroic Imagination in Abu Hanna's "Real Arabian Nights". History and Memory. 18(2):48-85.
"The Graves of the Gallant Highlanders": Memory, Interpretation and Narratives of Culloden John R. Gold, Margaret M. Gold. 2007. "The Graves of the Gallant Highlanders": Memory, Interpretation and Narratives of Culloden. History and Memory. 19(1):5-24,26-38.
