"A Struggle of Contending Stories": Race, Gender, and Political Memory in Forrest Gump Jennifer Hyland Wang. 2000. "A Struggle of Contending Stories": Race, Gender, and Political Memory in Forrest Gump. Cinema Journal. 39(3):92-115.
Smoke Signals: Witnessing the Burning Art of Deb Margolin and Hannah Wilke Constance Zaytoun. 2008. Smoke Signals: Witnessing the Burning Art of Deb Margolin and Hannah Wilke. TDR: The Drama Review. 52(3):134-159.
Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster (review) Zackariah C. Long. 2006. Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster (review). Shakespeare Quarterly. 57:353-356.
'New face of Serbia' at the Eurovision Song Contest: international media spectacle and national identity. Marijana Mitrovic. 2010. 'New face of Serbia' at the Eurovision Song Contest: international media spectacle and national identity.. European Review of History. 17(2):171-185.
Stanislavsky as Catalyst Grahame Renyk. 2011. Stanislavsky as Catalyst. Canadian Theatre Review. 145(1):99-100.
Memory's Dramas, Modernity's Ghosts: Thornton Wilder, Japanese Theater, and Paula Vogel's The Long Christmas Ride Home Joanna Mansbridge. 2012. Memory's Dramas, Modernity's Ghosts: Thornton Wilder, Japanese Theater, and Paula Vogel's The Long Christmas Ride Home. Comparative Drama. 46(2):210-235.
Teaching Witnessing: A Class Wakes to the Genocide in Bosnia Karen Malpede. 1996. Teaching Witnessing: A Class Wakes to the Genocide in Bosnia. Theatre Topics. 6(2):167-179.
"Amarrado al recuerdo"—The Memory Dimension in Classical Tango Lyrics J.N.F.M. à Campo. 2011. "Amarrado al recuerdo"—The Memory Dimension in Classical Tango Lyrics. Studies in Latin American Popular Culture. 29:115-141.
The Archive and the Repertoire: Performing Cultural Memory in the Americas Diana Taylor. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. :326.