Exposed memories: family pictures in private and collective memory Zsófia Bán, Hedvig Turai. 2010. Exposed memories: family pictures in private and collective memory.
Circles of madness: Mothers of the Plaza de Mayo = Círculos de locura : Madres de la Plaza de Mayo Marjorie Agosín, Alicia d' Amico, Celeste Kostopulos-Cooperman. 1992. Circles of madness: Mothers of the Plaza de Mayo = Círculos de locura : Madres de la Plaza de Mayo.
Photography, Cinema, Memory: The Crystal Image of Time Damian Sutton. 2009. Photography, Cinema, Memory: The Crystal Image of Time. :269.
Visions of Modernity: Representation, Memory, Time and Space in the Age of the Camera Scott McQuire. 1998. Visions of Modernity: Representation, Memory, Time and Space in the Age of the Camera. :279.
The Burden of Representation: Essays on Photographies and Histories John Tagg. 1993. The Burden of Representation: Essays on Photographies and Histories. :242.
Prosthetic Culture: Photography, Memory and Identity Celia Lury. 1998. Prosthetic Culture: Photography, Memory and Identity. :248.
Double exposures: the photographic afterlives of Pasolini and Moro Sarah Patricia Hill, Martina Caruso, Alessandra Antola Swan. 2016. Double exposures: the photographic afterlives of Pasolini and Moro. Modern Italy. 21(4):409-425.
Secular Icons: Looking at Photographs from Nazi Concentration Camps Cornelia Brink. 2000. Secular Icons: Looking at Photographs from Nazi Concentration Camps. History and Memory. 12(1):135.
Out of sight, out of mind: racial retrieval cues increase the accessibility of social justice concepts P.s. Salter, N.j. Kelley, L.e. Molina, L.t. Thai. 2017. Out of sight, out of mind: racial retrieval cues increase the accessibility of social justice concepts. Memory. :1-9.
History Begins at Home: Photography and Memory in the Writings of Siegfried Kracauer and Roland Barthes Meir Wigoder. 2001. History Begins at Home: Photography and Memory in the Writings of Siegfried Kracauer and Roland Barthes. History and Memory. 13(1):19.
