Exposed memories: family pictures in private and collective memory Zsófia Bán, Hedvig Turai. 2010. Exposed memories: family pictures in private and collective memory.
Circles of madness: Mothers of the Plaza de Mayo = Círculos de locura : Madres de la Plaza de Mayo Marjorie Agosín, Alicia d' Amico, Celeste Kostopulos-Cooperman. 1992. Circles of madness: Mothers of the Plaza de Mayo = Círculos de locura : Madres de la Plaza de Mayo.
Photography, Cinema, Memory: The Crystal Image of Time Damian Sutton. 2009. Photography, Cinema, Memory: The Crystal Image of Time. :269.
Visions of Modernity: Representation, Memory, Time and Space in the Age of the Camera Scott McQuire. 1998. Visions of Modernity: Representation, Memory, Time and Space in the Age of the Camera. :279.
The Burden of Representation: Essays on Photographies and Histories John Tagg. 1993. The Burden of Representation: Essays on Photographies and Histories. :242.
Prosthetic Culture: Photography, Memory and Identity Celia Lury. 1998. Prosthetic Culture: Photography, Memory and Identity. :248.
Interpretations of a Loss: Photography and Life History in Carla Cerati’s La perdita di Diego (1992) Giorgia1 Alù. 2017. Interpretations of a Loss: Photography and Life History in Carla Cerati’s La perdita di Diego (1992). Italian Studies. 72(1):106-119.
Photography and cultural memory: a methodological exploration Annette Kuhn. 2007. Photography and cultural memory: a methodological exploration. Visual Studies. 22(3):283-292.
Double exposures: the photographic afterlives of Pasolini and Moro Sarah Patricia Hill, Martina Caruso, Alessandra Antola Swan. 2016. Double exposures: the photographic afterlives of Pasolini and Moro. Modern Italy. 21(4):409-425.
Secular Icons: Looking at Photographs from Nazi Concentration Camps Cornelia Brink. 2000. Secular Icons: Looking at Photographs from Nazi Concentration Camps. History and Memory. 12(1):135.
