Visions of Modernity: Representation, Memory, Time and Space in the Age of the Camera Scott McQuire. 1998. Visions of Modernity: Representation, Memory, Time and Space in the Age of the Camera. :279.
The Burden of Representation: Essays on Photographies and Histories John Tagg. 1993. The Burden of Representation: Essays on Photographies and Histories. :242.
Prosthetic Culture: Photography, Memory and Identity Celia Lury. 1998. Prosthetic Culture: Photography, Memory and Identity. :248.
Exposed memories: family pictures in private and collective memory Zsófia Bán, Hedvig Turai. 2010. Exposed memories: family pictures in private and collective memory.
Circles of madness: Mothers of the Plaza de Mayo = Círculos de locura : Madres de la Plaza de Mayo Marjorie Agosín, Alicia d' Amico, Celeste Kostopulos-Cooperman. 1992. Circles of madness: Mothers of the Plaza de Mayo = Círculos de locura : Madres de la Plaza de Mayo.
Photography, Cinema, Memory: The Crystal Image of Time Damian Sutton. 2009. Photography, Cinema, Memory: The Crystal Image of Time. :269.
Tracing the Past: Marcelo Brodsky's Photography as Memory Art Nerea Arruti. 2007. Tracing the Past: Marcelo Brodsky's Photography as Memory Art. Paragraph. 30(1):101-120.
The abject artefacts of memory: photographs from Cambodia’s genocide Rachel Hughes. 2003. The abject artefacts of memory: photographs from Cambodia’s genocide. Media, Culture & Society. 25(1):23-44.
The Möbius Strip of Remembering and Forgetting: Teju Cole on How the Paradox of Photography Captures the Central Anxiety of Existence Author Maria Popova. 2016. The Möbius Strip of Remembering and Forgetting: Teju Cole on How the Paradox of Photography Captures the Central Anxiety of Existence.
History's Ornament: Photography and Cultural Engineering in Early Soviet Siberia Craig Campbell. 2013. History's Ornament: Photography and Cultural Engineering in Early Soviet Siberia. Journal of Historical Sociology. :n/a–n/a.