Exposed memories: family pictures in private and collective memory Zsófia Bán, Hedvig Turai. 2010. Exposed memories: family pictures in private and collective memory.
Circles of madness: Mothers of the Plaza de Mayo = Círculos de locura : Madres de la Plaza de Mayo Marjorie Agosín, Alicia d' Amico, Celeste Kostopulos-Cooperman. 1992. Circles of madness: Mothers of the Plaza de Mayo = Círculos de locura : Madres de la Plaza de Mayo.
Photography, Cinema, Memory: The Crystal Image of Time Damian Sutton. 2009. Photography, Cinema, Memory: The Crystal Image of Time. :269.
Visions of Modernity: Representation, Memory, Time and Space in the Age of the Camera Scott McQuire. 1998. Visions of Modernity: Representation, Memory, Time and Space in the Age of the Camera. :279.
The Burden of Representation: Essays on Photographies and Histories John Tagg. 1993. The Burden of Representation: Essays on Photographies and Histories. :242.
Prosthetic Culture: Photography, Memory and Identity Celia Lury. 1998. Prosthetic Culture: Photography, Memory and Identity. :248.
Fragments, Futures, Absence and the Past : A New Approach to Photography Silke Helmerdig. 2016. Fragments, Futures, Absence and the Past : A New Approach to Photography. Image.
After the witness Michael Rothberg, Jared Stark. 2003. After the witness. History and Memory. 15(1):85.
The fictionalisation of history in Maïssa Bey's Entendez-vous dans les montagnes … Névine1 El Nossery. 2016. The fictionalisation of history in Maïssa Bey's Entendez-vous dans les montagnes …. Journal of North African Studies. 21(2):273-282.
Familial Snapshots: Representing Palestine in the Work of the First Local Photographers Issam Nassar. 2006. Familial Snapshots: Representing Palestine in the Work of the First Local Photographers. History and Memory. 18(2):139-155.