| Abstract | In the social imaginaries of the Dominican Republic, national culture has its origins in el campo, the countryside. Country spaces and country people are viewed as embodying the past in the present, making them authentic contemporary carriers of national culture and moral order. By contrast, the city has long been viewed as the site of a modernity that takes its inspiration from outside of the nation but also as a site of social degeneration. In recent decades, representations of poor barrios as a threat to the city's moral order have intensified in reaction to rising crime rates and a series of economic crises. First generation migrants from the country to the city find that their status as carriers of culture and morality is compromised. They evoke positive memories of their rural pasts to position themselves as moral beings transposed to a corrupt urban milieu. At the same time, they develop urban identities that incorporate aspects of rural life while rejecting others. I argue that migrants' memories of their rural past resist their emplacement while allowing for the transformation of their present structural position.
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