Swimmer (68): A perfomance text-in-progress Ker Wells, Bruce Barton. 2011. Swimmer (68): A perfomance text-in-progress. Canadian Theatre Review. 145(1):73-87.
In Memory of Elaine Marks: Life Writing, Writing Death Richard Goodkin. 2007. In Memory of Elaine Marks: Life Writing, Writing Death.
Aesthetic Memory's Cul-de-sac: The Art of Ernest Dowson Chris Snodgrass. 1992. Aesthetic Memory's Cul-de-sac: The Art of Ernest Dowson. English Literature in Transition, 1880-1920. 35(1):26-53.
Hiroshima narratives and the politics of memory Lisa Yoneyama, Lisa University Microfilms International. 1995. Hiroshima narratives and the politics of memory.
Remembering Empire/Forgetting the Colonies: Accretions of Memory and the Limits of Commemoration in a Lisbon Neighborhood Ellen W. Sapega. 2008. Remembering Empire/Forgetting the Colonies: Accretions of Memory and the Limits of Commemoration in a Lisbon Neighborhood. History & Memory. 20(2):18-38.
Nabokov’s Memory War against Freud Teckyoung Kwon. 2011. Nabokov’s Memory War against Freud. American Imago. 68(1):67-91.
Traces of War: Memory, Trauma, and the Archive in Joseph Cedar's Beaufort Raz Yosef. 2011. Traces of War: Memory, Trauma, and the Archive in Joseph Cedar's Beaufort. Cinema Journal. 50(2):61-83.
Last Stand at the Ia Drang Valley: Memory, Mission, and the Shape of Victory in We Were Soldiers A. J. Prats. 2006. Last Stand at the Ia Drang Valley: Memory, Mission, and the Shape of Victory in We Were Soldiers. Arizona Quarterly: A Journal of American Literature, Culture, and Theory. 62(2):99-144.
What Happened?: Camus's La Chute, Shoshana Felman and the Witnessing of Trauma Colin Davis. 2011. What Happened?: Camus's La Chute, Shoshana Felman and the Witnessing of Trauma French Forum. 36(1):37-53.
Authoritative Witnessing and the Control of Memory: On Jorge Semprun's L'écriture ou la vie Sharon Marquart. 2011. Authoritative Witnessing and the Control of Memory: On Jorge Semprun's L'écriture ou la vie. French Forum. 36(2):147-161.
