Remounting, Remembering: Gendered Memorials and Colleen Wagner’s The Monument Moberley Luger. 2009. Remounting, Remembering: Gendered Memorials and Colleen Wagner’s The Monument. ESC: English Studies in Canada. 35(4):71-93.
Monumental Commemoration of the Fallen in Ireland, North and South, 1920–60 John Turpin. 2007. Monumental Commemoration of the Fallen in Ireland, North and South, 1920–60. New Hibernia Review. 11(4):107-119.
Memory and the Abolitionist Heritage: Thomas Wentworth Higginson and the Uncertain Meaning of the Civil War W. Scott Poole. 2005. Memory and the Abolitionist Heritage: Thomas Wentworth Higginson and the Uncertain Meaning of the Civil War. Civil War History. 51(2):202-217.
"The Things That Are Seen in the Flashes": Timothy Findley's Inside Memory as Photographic Life Writing Lorraine Mary York. 1994. "The Things That Are Seen in the Flashes": Timothy Findley's Inside Memory as Photographic Life Writing. MFS Modern Fiction Studies. 40(3):643-656.
Judicial Nightmares and Christian Memory Brent D. Shaw. 2003. Judicial Nightmares and Christian Memory. Journal of Early Christian Studies. 11(4):533-563.
Spectacle and Witnessing: Constructing Readings of Charles Parsons’s Marine Turbine Don Leggett. 2011. Spectacle and Witnessing: Constructing Readings of Charles Parsons’s Marine Turbine. Technology and Culture. 52(2):287-309.
On the Historicity of the Archive: A Counter-Memory for Lynne Huffer's Mad for Foucault Shannon Winnubst. 2011. On the Historicity of the Archive: A Counter-Memory for Lynne Huffer's Mad for Foucault. philoSOPHIA. 1(2):215-225.
History, Memory, and the Echoes of Equivalence in Catharine Maria Sedgwick's Hope Leslie Amanda Emerson. 2007. History, Memory, and the Echoes of Equivalence in Catharine Maria Sedgwick's Hope Leslie. Legacy. 24(1):24-49.
"A Space for Narration": Milton and the Politics of Collective Memory Harold Weber. 2004. "A Space for Narration": Milton and the Politics of Collective Memory. Journal for Early Modern Cultural Studies. 4(2):62-88.
The cubit paintings of Diego Rivera: memory, politics, place Diego Maria Rivera, Leah Dickerman, Washington D.C National Gallery of Art, Mexico City Museo de Arte Moderno. 2004. The cubit paintings of Diego Rivera: memory, politics, place.
