Glimmers of the forbidden fruit: Reminiscing pornography, conceptualizing the archive Katariina1, jokaky@utu.fi Kyrölä, Susanna1 Paasonen. 2016. Glimmers of the forbidden fruit: Reminiscing pornography, conceptualizing the archive. International Journal of Cultural Studies. 19(6):595-610.
Collective memory: theory and politics Chris Weedon, Glenn Jordan. 2012. Collective memory: theory and politics. Social Semiotics. 22(2):143-153.
War, memory, and the public mediation of affect: The National World War II Memorial and American imperialism Erika Doss. 2008. War, memory, and the public mediation of affect: The National World War II Memorial and American imperialism. Memory Studies. 1(2):227-250.
Women’s affective memories of trauma and the transmission of emotional knowledge in Argentina Jill Stockwell. 2011. Women’s affective memories of trauma and the transmission of emotional knowledge in Argentina. Memory Studies. 4(1):73-82.
Embodiment and living memorials: The affective labour of remembering the 2005 London bombings Matthew J. Allen, Steven D. Brown. 2011. Embodiment and living memorials: The affective labour of remembering the 2005 London bombings. Memory Studies. 4(3):312-327.
Touching virtual trauma: Performative empathics in Second Life Bryoni Trezise. 2012. Touching virtual trauma: Performative empathics in Second Life. Memory Studies. 5(4):392-409.
Crumbs of memory: Tracing the ‘more-than-representational’ in family memory Maria Tumarkin. 2013. Crumbs of memory: Tracing the ‘more-than-representational’ in family memory. Memory Studies. 6(3):310-320.
Sources Os Bias in Memory for Emotions Linda J. Levine, Martin A. Safer. 2002. Sources Os Bias in Memory for Emotions. Current Directions in Psychological Science. 11(5):169-173.
'Forever Just Occurring': Postwar Belatedness in W.G. Sebald's Austerlitz Stefanie Boese. 2016. 'Forever Just Occurring': Postwar Belatedness in W.G. Sebald's Austerlitz. Journal of Modern Literature. (4):104.
Women’s cinema of trauma: Affect, movement, time Dijana1, ddj514@gmail.com Jelača. 2016. Women’s cinema of trauma: Affect, movement, time. European Journal of Women's Studies. 23(4):335-352.
