Channels of Witness: Space, Abstraction, and the Commemoration of Genocide Erik Ehn. 2013. Channels of Witness: Space, Abstraction, and the Commemoration of Genocide. Journal of Dramatic Theory and Criticism. 27(2):67-104.
The History of Love, the Contemporary Reader, and the Transmission of Holocaust Memory Jessica Lang. 2009. The History of Love, the Contemporary Reader, and the Transmission of Holocaust Memory. Journal of Modern Literature. 33(1):43-56.
What Writer Would Not Be an Indian for a While? Charles Alexander Eastman, Critical Memory, and Audience Gale P. Coskan-Johnson. 2006. What Writer Would Not Be an Indian for a While? Charles Alexander Eastman, Critical Memory, and Audience Studies in American Indian Literatures. 18(2):105-131.
Witnessing Cambodia’s Disappeared Y.-Dang Troeung. 2013. Witnessing Cambodia’s Disappeared. University of Toronto Quarterly. 82(2):150-167.
Barry Unsworth and the Arts of Power: Historical Memory, Utopian Fictions Greg Forter. 2010. Barry Unsworth and the Arts of Power: Historical Memory, Utopian Fictions. Contemporary Literature. 51(4):777-809.
Literature and the production of cultural memory: Introduction Astrid1 Erll, Ann2 Rigney. 2006. Literature and the production of cultural memory: Introduction. European Journal of English Studies. 10(2):111-115.
The drowned and the saved: Primo Levi and Paul Steinberg in dialogue Susanna Egan. 2001. The drowned and the saved: Primo Levi and Paul Steinberg in dialogue. History and Memory. 13(2):96-112.
Nostalgia for empire: ‘Tempo doeloe’ in contemporary Dutch literature Sarah De Mul. 2010. Nostalgia for empire: ‘Tempo doeloe’ in contemporary Dutch literature. Memory Studies. 3(4):413-428.
Writing against Memory and Forgetting Gabriele. Schwab. 2006. Writing against Memory and Forgetting. Literature and Medicine. 25(1):95-121.
Mapping Memory: Architectural Metaphors in Djebar's Unfinished Quartet Clarisse Zimra. 2003. Mapping Memory: Architectural Metaphors in Djebar's Unfinished Quartet. L'Esprit Créateur. 43(1):58-68.