Adaptive Memories for the Construction of Collective Identities Lucas Bietti. 2018. Adaptive Memories for the Construction of Collective Identities. HSE-SOCIAL AND EDUCATION HISTORY. 7(2):125–150.
Group know-how S. Orestis Palermos, Deborah P. Tollefsen. 2018. Group know-how. Socially Extended Epistemology. :112.
Black October: Comics, Memory, and Cultural Representations of 17 October 1961 Claire Gorrara. 2018. Black October: Comics, Memory, and Cultural Representations of 17 October 1961. French Politics, Culture & Society. 36(1):128–147.
Retroactive Edits: 9/11, Television’s Popular Archive, and Shifting Popular Memory Philip Scepanski. 2018. Retroactive Edits: 9/11, Television’s Popular Archive, and Shifting Popular Memory. Television & New Media. :1527476417751215.
On the thresholds of legitimacy: a collaborative exploration of being and becoming academic Susanne Gannon, Sarah Powell, Clare Power. 2018. On the thresholds of legitimacy: a collaborative exploration of being and becoming academic. :261–280.
‘Mortgaged to music’: New retro movies in 1990s Hollywood cinema Philip Drake. 2018. ‘Mortgaged to music’: New retro movies in 1990s Hollywood cinema.
Doing reparatory history: bringing ‘race’and slavery home Catherine Hall. 2018. Doing reparatory history: bringing ‘race’and slavery home. Race & Class. :0306396818769791.
POSTCARD FROM ISTANBUL: DIGITAL RECONSTRUCTION OF THE CITY AS MEMORY IN TASOS BOULMETIS’S POLÍTIKI KOUZÍNA/A TOUCH OF SPICE/BAHARATIN TADI Giorgos Dimitriadis. 2018. POSTCARD FROM ISTANBUL: DIGITAL RECONSTRUCTION OF THE CITY AS MEMORY IN TASOS BOULMETIS’S POLÍTIKI KOUZÍNA/A TOUCH OF SPICE/BAHARATIN TADI. Digital Age in Semiotics & Communication. :65.
Does Verbatim Theatre Still Talk the Nation Talk? Cyrielle Garson. 2018. Does Verbatim Theatre Still Talk the Nation Talk? Journal of Contemporary Drama in English. 6(1):206–219.