Memory's Borderlands: Onelight Theatre's Return Ticket: Halifax-Abadan-Halifax Roberta Barker. 2011. Memory's Borderlands: Onelight Theatre's Return Ticket: Halifax-Abadan-Halifax. Canadian Theatre Review. 145(1):43-46.
Without Visible Scars: Digital Art and the Memory of War Lanfranco Aceti. 2009. Without Visible Scars: Digital Art and the Memory of War. Leonardo. 42(1):16-26.
Digital interactivity in public memory institutions: the uses of new technologies in Holocaust museums Anna Reading. 2003. Digital interactivity in public memory institutions: the uses of new technologies in Holocaust museums. Media, Culture & Society. 25(1):67-85.
Global Memory and the Rhythm of Life Jeffrey Stepnisky. 2005. Global Memory and the Rhythm of Life. American Behavioral Scientist. 48(10):1383-1402.
(Web)sites of Memory and the Rise of Moral Mnemonic Agents Tamar Ashuri. 2011. (Web)sites of Memory and the Rise of Moral Mnemonic Agents. New Media & Society.
Memory and the Moving Image: French Film in the Digital Era Isabelle F McNeill. 2010. Memory and the Moving Image: French Film in the Digital Era. :181.
Doing media history in a digital age: change and continuity in historiographical practices Helle Strandgaard Jensen. 2016. Doing media history in a digital age: change and continuity in historiographical practices. Media, Culture & Society. 38(1):119-128.
Social memory in the age of knowledge Susanne Küchler. 2011. Social memory in the age of knowledge. International Social Science Journal. 62(203/204):57-66.
Rewriting, a Literary Concept for the Study of Cultural Memory: Towards a Transhistorical Approach to Cultural Remembrance Liedeke1 Plate, H.2 Rose. 2013. Rewriting, a Literary Concept for the Study of Cultural Memory: Towards a Transhistorical Approach to Cultural Remembrance. Neophilologus. 97(4):611-625.
