Displacement and Memory: Visual Narratives of al-Shatat in Michel Khleifi's Films May Telmissany. 2010. Displacement and Memory: Visual Narratives of al-Shatat in Michel Khleifi's Films. Comparative Studies of South Asia, Africa and the Middle East. 30(1):69-84.
Memory and the transformation of social experience in modern Japan: rethinking the song `Home' Ryuzo Uchida. 1999. Memory and the transformation of social experience in modern Japan: rethinking the song `Home'. Media, Culture & Society. 21(2):205-219.
Dynamics of memory: Commemorating the 2005 London bombings in British television news Nuria Lorenzo-Dus, Annie Bryan. 2011. Dynamics of memory: Commemorating the 2005 London bombings in British television news. Memory Studies. 4(3):281-297.
(Web)sites of Memory and the Rise of Moral Mnemonic Agents Tamar Ashuri. 2011. (Web)sites of Memory and the Rise of Moral Mnemonic Agents. New Media & Society.
Everybody Liked It: Collective Memories of Early Flemish Television Fiction Alexander Dhoest. 2006. Everybody Liked It: Collective Memories of Early Flemish Television Fiction. Particip@tions. 3(1)
Journalistic Uses of Collective Memory. Jill A. Edy. 1999. Journalistic Uses of Collective Memory.. Journal of Communication. 49(2):71-85.
Lanzmann and Deleuze: On the Question of Memory Allan. Stoekl. 1998. Lanzmann and Deleuze: On the Question of Memory. symploke. 6(1):72-82.
Remembering and Forgetting: Memory and Legacy in Irish Theatre and Film Emilie Pine. 2008. Remembering and Forgetting: Memory and Legacy in Irish Theatre and Film. Éire-Ireland. 43(1-2):222-236.
The Traumatic Paradox: Documentary Films, Historical Fictions, and Cataclysmic Past Events Janet Walker. 1997. The Traumatic Paradox: Documentary Films, Historical Fictions, and Cataclysmic Past Events. Signs. 22(4):803-825.