The persistence of history: cinema, television, and the modern event Vivian Carol Sobchack. 1996. The persistence of history: cinema, television, and the modern event.
De-coding the Gendered Order of Memory in Hitlers Frauen Claudia Lenz, Kirsten Heinsohn. 2008. De-coding the Gendered Order of Memory in Hitlers Frauen. German Politics & Society. 26(4):134-149.
Television Tension: National Versus Cosmopolitan Memory in a Co-Produced Television Documentary Tamar Ashuri. 2007. Television Tension: National Versus Cosmopolitan Memory in a Co-Produced Television Documentary. Media, Culture & Society. 29(1):31-51.
Performance and process in collective and individual memory: the role of social decision schemes and memory bias in collective memory Lyn M Van Swol. 2008. Performance and process in collective and individual memory: the role of social decision schemes and memory bias in collective memory. Memory (Hove, England). 16(3):274-287.
Making Television Historical Mari Pajala. 2011. Making Television Historical. Media History. 17(4):405-418.
In pursuit of German memory: history, television, and politics after Auschwitz Wulf Kansteiner. 2006. In pursuit of German memory: history, television, and politics after Auschwitz. :438.
Erasure: Alienation, Paranoia, and the Loss of Memory in The X-Files Christy L. Burns. 2000. Erasure: Alienation, Paranoia, and the Loss of Memory in The X-Files. Camera Obscura. 15(3):194-225.
Old Heroes in a New Medium: The Television Program Such a Life and the Formation of Israeli Collective Memory Avner Ben-Amos, Jéérôôme Bourdon. 2011. Old Heroes in a New Medium: The Television Program Such a Life and the Formation of Israeli Collective Memory. Jewish Social Studies. 17(3):156-181.
Legitimizing fascism through the Holocaust? The reception of the miniseries Perlasca: un eroe italiano in Italy Emiliano Perra. 2010. Legitimizing fascism through the Holocaust? The reception of the miniseries Perlasca: un eroe italiano in Italy Memory Studies. 3(2):95-109.