Edouard Glissant and the Art of Memory Bonnie Thomas. 2009. Edouard Glissant and the Art of Memory. Small Axe. 13(3):25-36.
Memory/History, Violence, and Reconciliation: Introduction Maureen N. Eke, Marie Kruger, Mildred Mortimer. 2012. Memory/History, Violence, and Reconciliation: Introduction. Research in African Literatures. 43(1):65-69.
A Nightshine Beyond Memory: Ten More Years with Ray Tess Gallagher. 1998. A Nightshine Beyond Memory: Ten More Years with Ray. Philosophy and Literature. 22(2):438-456.
Challenging the Selectivity of Memory in 1950s West Germany: Erwin Sylvanus’s Dr. Korczak and the Children Kerstin M. Mueller. 2007. Challenging the Selectivity of Memory in 1950s West Germany: Erwin Sylvanus’s Dr. Korczak and the Children. Modern Drama. 50(2):233-257.
Authoritative Witnessing and the Control of Memory: On Jorge Semprun's L'écriture ou la vie Sharon Marquart. 2011. Authoritative Witnessing and the Control of Memory: On Jorge Semprun's L'écriture ou la vie. French Forum. 36(2):147-161.
Finnegans Wake and Irish Historical Memory Peter A. Maguire. 1998. Finnegans Wake and Irish Historical Memory. Journal of Modern Literature. 22(2):293-327.
Reading Japanese Occupation in Malaya in The Rice Mother Through the Lens of Social Memory Nurul Atiqah Amran, Ruzy Suliza Hashim. 2013. Reading Japanese Occupation in Malaya in The Rice Mother Through the Lens of Social Memory. Asian Social Science. 9(7):144-150.
History Begins at Home: Photography and Memory in the Writings of Siegfried Kracauer and Roland Barthes Meir Wigoder. 2001. History Begins at Home: Photography and Memory in the Writings of Siegfried Kracauer and Roland Barthes. History and Memory. 13(1):19.
The representation of the enemy in North and South Korean literature from the Korean War Jerôme de Wit. 2013. The representation of the enemy in North and South Korean literature from the Korean War. Memory Studies. 6(2):146-160.
Art Versus the Descent of the Iconoclasts: Cultural Memory in Ezra Pound's Pisan Cantos Ronald. Bush. 2007. Art Versus the Descent of the Iconoclasts: Cultural Memory in Ezra Pound's Pisan Cantos. Modernism/modernity. 14(1):71-95.
