“We Must Not Forget That There Was a Crime”: Incest, Domestic Violence, and Textual Memory in the Novels of Iris Murdoch Emma Miller. 2012. “We Must Not Forget That There Was a Crime”: Incest, Domestic Violence, and Textual Memory in the Novels of Iris Murdoch. Journal of Literature and Trauma Studies. 1(2):65-94.
"The Things That Are Seen in the Flashes": Timothy Findley's Inside Memory as Photographic Life Writing Lorraine Mary York. 1994. "The Things That Are Seen in the Flashes": Timothy Findley's Inside Memory as Photographic Life Writing. MFS Modern Fiction Studies. 40(3):643-656.
War and Remembrance: Aeneid 12.544-60 and Aeneas' Memory of Troy Netta Berlin. 1998. War and Remembrance: Aeneid 12.544-60 and Aeneas' Memory of Troy. American Journal of Philology. 119(1):11-41.
Equiano's "Loud Voice": Witnessing the Performance of The Interesting Narrative Jesse M. Molesworth. 2006. Equiano's "Loud Voice": Witnessing the Performance of The Interesting Narrative. Texas Studies in Literature and Language. 48(2):123-144.
Exit Shoah: Amy Bellette and Fading Cultural Memory in Exit Ghost Lily Corwin. 2013. Exit Shoah: Amy Bellette and Fading Cultural Memory in Exit Ghost. Philip Roth Studies. 9(2):77-83.
Movements, Aesthetics, and Markets in Literary Change: Making the American Labor Problem Novel Larry Isaac. 2009. Movements, Aesthetics, and Markets in Literary Change: Making the American Labor Problem Novel. American Sociological Review. 74(6):938-965.
Some random thoughts on history's recent past Michael Confino. 2000. Some random thoughts on history's recent past. History and Memory. 12(2):29-55.
The changing faces of heroines: Korean women in folklore Mikyoung Kim. 2013. The changing faces of heroines: Korean women in folklore. Memory Studies. 6(2):218-231.
Drawing History: Interpretation in the Illustrated Version of the 9/11 Commission Report and Art Spiegelman's In The Shadow of No Towers as Historical Biography Mary Louise Penaz. 2009. Drawing History: Interpretation in the Illustrated Version of the 9/11 Commission Report and Art Spiegelman's In The Shadow of No Towers as Historical Biography. a/b: Auto/Biography Studies. 24(1):93-112.
Making Time: Memorializing History in Athalie Harriet Stone. 1998. Making Time: Memorializing History in Athalie. L'Esprit Créateur. 38(2):95-104.
