The (Cuban) Voice of the (Curaçaoan) People: The Making (And Taking) of a Collective Memory Nanette de Jong. 2009. The (Cuban) Voice of the (Curaçaoan) People: The Making (And Taking) of a Collective Memory. Journal of Historical Sociology. 22(3):351–365.
Marketing and the Symbolic Value of a Performing Arts Institution: The Case Study of the Czech National Theatre Zuzana Chytková, Jitka Černá, Miroslav Karlíček. 2016. Marketing and the Symbolic Value of a Performing Arts Institution: The Case Study of the Czech National Theatre. Periodica Polytechnica: Social & Management Sciences. 24(1):25-33.
Ethnohistory's Ethnohistory Michael E. Harkin. 2010. Ethnohistory's Ethnohistory. Social Science History. 34(2):113-128.
Between Individual and Collective Memory: Coordination, Interaction, Distribution John Sutton. 2008. Between Individual and Collective Memory: Coordination, Interaction, Distribution. Social Research. 75(1):23-48.
There's No Dying in Baseball: Cultural Valorization, Collective Memory, and Induction into the Baseball Hall of Fame Nicholas L. Parsons, Michael J. Stern. 2012. There's No Dying in Baseball: Cultural Valorization, Collective Memory, and Induction into the Baseball Hall of Fame. Sociology of Sport Journal. 29(1):62-88.
Transnationalism and everyday practice: Cantonese opera theatres of North America in the 1920s Nancy Yunhwa Rao. 2016. Transnationalism and everyday practice: Cantonese opera theatres of North America in the 1920s. Ethnomusicology Forum. 25(1):107-130.
On the Ethnohistory of Powhatan Ritual Gestures Guillermo Bartelt. 2010. On the Ethnohistory of Powhatan Ritual Gestures. Anthropos. 105(1):47-56.
Collective Memory Anchors: Collective Identity and Continuity in Social Movements Timothy B. Gongaware. 2010. Collective Memory Anchors: Collective Identity and Continuity in Social Movements. Sociological Focus. 43(3):214-239.
Scripting for Hollywood: Power, Performance and the Heroic Imagination in Abu Hanna's "Real Arabian Nights" Tania Forte. 2006. Scripting for Hollywood: Power, Performance and the Heroic Imagination in Abu Hanna's "Real Arabian Nights". History and Memory. 18(2):48-85.
Transmaterial Becoming Klaus Spiess, Lucie Strecker. 2016. Transmaterial Becoming. Performance Research. 21(5):78-80.
