Theatre, performance, and memory politics in Argentina Brenda G Werth. 2010. Theatre, performance, and memory politics in Argentina.
Embodied memory: the theatre of George Tabori Anat Feinberg. 1999. Embodied memory: the theatre of George Tabori.
The 1906 Uncle Tom’s Cabin Law and the Politics of Race and Memory in Early-Twentieth-Century Kentucky Anne E. Marshall. 2011. The 1906 Uncle Tom’s Cabin Law and the Politics of Race and Memory in Early-Twentieth-Century Kentucky. The Journal of the Civil War Era. 1(3):368-393.
Stanislavsky as Catalyst Grahame Renyk. 2011. Stanislavsky as Catalyst. Canadian Theatre Review. 145(1):99-100.
Performing Emergency: Witnessing, Popular Theatre, and the Lie of the Literal Julie Salverson. 1996. Performing Emergency: Witnessing, Popular Theatre, and the Lie of the Literal. Theatre Topics. 6(2):181-191.
Realism/Terrorism: The Walworth Farce Kim Solga. 2011. Realism/Terrorism: The Walworth Farce. Canadian Theatre Review. 145(1):89-91.
Narrating, Witnessing, and Healing Trauma in Paula Vogel's How I Learned to Drive Graley Herren. 2010. Narrating, Witnessing, and Healing Trauma in Paula Vogel's How I Learned to Drive. Modern Drama. 53(1):103-114.
Processing Memory in 300 TAPES and relay Pil Hansen. 2011. Processing Memory in 300 TAPES and relay. Canadian Theatre Review. 145(1):11-16.
Marina Abramovic: Witnessing Shadows Peggy Phelan. 2004. Marina Abramovic: Witnessing Shadows. Theatre Journal. 56(4):569-577.
