Theatre, performance, and memory politics in Argentina Brenda G Werth. 2010. Theatre, performance, and memory politics in Argentina.
Embodied memory: the theatre of George Tabori Anat Feinberg. 1999. Embodied memory: the theatre of George Tabori.
The 1906 Uncle Tom’s Cabin Law and the Politics of Race and Memory in Early-Twentieth-Century Kentucky Anne E. Marshall. 2011. The 1906 Uncle Tom’s Cabin Law and the Politics of Race and Memory in Early-Twentieth-Century Kentucky. The Journal of the Civil War Era. 1(3):368-393.
Realism/Terrorism: The Walworth Farce Kim Solga. 2011. Realism/Terrorism: The Walworth Farce. Canadian Theatre Review. 145(1):89-91.
Narrating, Witnessing, and Healing Trauma in Paula Vogel's How I Learned to Drive Graley Herren. 2010. Narrating, Witnessing, and Healing Trauma in Paula Vogel's How I Learned to Drive. Modern Drama. 53(1):103-114.
Processing Memory in 300 TAPES and relay Pil Hansen. 2011. Processing Memory in 300 TAPES and relay. Canadian Theatre Review. 145(1):11-16.
Marina Abramovic: Witnessing Shadows Peggy Phelan. 2004. Marina Abramovic: Witnessing Shadows. Theatre Journal. 56(4):569-577.
Place Remembers Kendra Fanconi, Eric Rhys Miller. 2011. Place Remembers. Canadian Theatre Review. 145(1):97-99.
"Victim. Perpetrator. Bystander": Melancholic Witnessing of Sarah Kane's 4.48 Psychosis Alicia Tycer. 2008. "Victim. Perpetrator. Bystander": Melancholic Witnessing of Sarah Kane's 4.48 Psychosis. Theatre Journal. 60(1):23-36.
