Dear Citizens of Tennessee James Long. 2011. Dear Citizens of Tennessee. Canadian Theatre Review. 145(1):56-59.
Mocking Dead Bones: Historical Memory and the Theater of the Dead in Richard III Stephen Marche. 2003. Mocking Dead Bones: Historical Memory and the Theater of the Dead in Richard III. Comparative Drama. 37(1):37-57.
Directors and Voice Work: An Attempt to Bridge the Gap David Ley. 2011. Directors and Voice Work: An Attempt to Bridge the Gap. Canadian Theatre Review. 145(1):100-101.
Present(ing) Historical Memory: Beah Richards' "A Black Woman Speaks," Performance, and a Pedagogy of Whiteness Annette Wannamaker. 2004. Present(ing) Historical Memory: Beah Richards' "A Black Woman Speaks," Performance, and a Pedagogy of Whiteness. Theatre Topics. 14(1):339-351.
History, Collective Memory, and Aeschylus' Persians Attilio Favorini. 2003. History, Collective Memory, and Aeschylus' Persians. Theatre Journal. 55(1):99-111.
Edna's Archive: Performing Absence in a Troubled Home of Memory Andrew Houston. 2011. Edna's Archive: Performing Absence in a Troubled Home of Memory. Canadian Theatre Review. 145(1):60-65.
Between Silence and License: The Representation of the National Socialist Persecution of Homosexuality in Anglo-American Fiction and Film Dorthe Seifert. 2003. Between Silence and License: The Representation of the National Socialist Persecution of Homosexuality in Anglo-American Fiction and Film. History and Memory. 15(2):94-129.
Peterborough In Memoriam P. K. Brask. 2011. Peterborough In Memoriam. Canadian Theatre Review. 145(1):52-55.
Memory, Allegory, and Testimony in South American Theater: Upstaging Dictatorship Ana Elena Puga. 2008. Memory, Allegory, and Testimony in South American Theater: Upstaging Dictatorship. Routledge advances in theatre and performance studies. :284.
