Memory, Mimesis, Tragedy: The Scene Before Philosophy Paul A. Kottman. 2003. Memory, Mimesis, Tragedy: The Scene Before Philosophy. Theatre Journal. 55(1):81-97.
Stanislavsky as Catalyst Grahame Renyk. 2011. Stanislavsky as Catalyst. Canadian Theatre Review. 145(1):99-100.
Performing Emergency: Witnessing, Popular Theatre, and the Lie of the Literal Julie Salverson. 1996. Performing Emergency: Witnessing, Popular Theatre, and the Lie of the Literal. Theatre Topics. 6(2):181-191.
Realism/Terrorism: The Walworth Farce Kim Solga. 2011. Realism/Terrorism: The Walworth Farce. Canadian Theatre Review. 145(1):89-91.
Narrating, Witnessing, and Healing Trauma in Paula Vogel's How I Learned to Drive Graley Herren. 2010. Narrating, Witnessing, and Healing Trauma in Paula Vogel's How I Learned to Drive. Modern Drama. 53(1):103-114.